Showing posts with label Unit 5 C1. Show all posts
Showing posts with label Unit 5 C1. Show all posts

Thursday, 27 February 2014

Shakespeare Through A Lens Project Brief


 The Brief

You have been commissioned by the Lambeth City Learning Centre, the Royal Shakespeare Company, the BFI and the management at Glenthorne High School to gain a deeper understanding of Titus Andronicus by filming a scene from the play from a range of different perspectives. You will edit the film to produce a high-quality 3-7 minute segment of film to be screened on a 400 seated cinema screen at the BFI for family and other guests. The films will then have an online life on a variety of platforms including RSC, CLC and BFI websites.
Background of the brief

The brief was formal as it stated what we were required to do to fulfill the brief and we had to stick within relatively rigid guidelines. The essential elements of the brief we had to follow were that we produced a film with a duration of roughly 3-7 minutes based upon a scene from Titus Andronicus that was chosen for us by the RSC using the original texts. There were some aspects of the brief that we could negotiate as with these texts we could could cut certain parts however we could not change any of the original texts which meant that we kept the language the same and worked within the layout of the scene provided to us. Also, we will be using the drama academy to perform for the project rather than acting ourselves which is a requirement we must meet. However, the ways in which we interpreted the texts were very flexible, meaning that we have a large amount of control over the props, costumes and locations used within the piece allowing us to give a slightly modern twist to the original story.
My Role

My role within the brief will be the secondary camera man on the first day of filming, I will be filming the majority of shots from alternative angles to the primary camera to produce cutaways within the final piece. I will also film some additional shots of different areas to establish the scene and area that the actors are working within. Also, I will be contributing ideas to the group based upon the brief so that we can decide what we will be doing during the project. My second main role will be the main editor in the post production phase, this means that I will have to select the best possible shots to use to maintain the narrative aspect of the piece while additionally looking for areas to incorporate a more creative flare within the piece while maintaining continuity and fluidity. This will allow the film to fulfill its roll of telling the narrative of the scene we were given but also making it aesthetically pleasing for the audience to watch and giving it a sense of personality.

Some skills I may need to acquire for the project are an extensive knowledge of some filming techniques and technologies such as a DSLR camera. This will allow me to work with the cinematography and consistantly develop through the varied use of camera angles and framing which I had to adapt to fit the scenes. This will also allow me to work efficiently on the day of filming and be able to use all functionalities of the camera to produce footage of the highest standard. I will also need to be proficient in digital editing software such as Adobe After Effects, Premiere Pro and Photoshop.Subsequently, I will then be able to incorporate my knowledge of editing techniques and software alongside the footage to create the final product. Additionally, I will need to be hard working and possess excellent communication skills during the pre-production and production stages due to the large group of people who I will be working alongside. It is important that I can clearly present my ideas to both the media and drama groups so that all possibilities can be discussed to achieve the best final product. I will also require an in-depth knowledge of Titus Andronicus and the language used within it, allowing me to have an enhanced judgement on the types of shots and editing styles needed during each individual key moment within the film. This will extend the performance of the actors and emphasise the emotions their characters are portraying through the lense.

Additionally, due to the play itself being very traditional I had to consider the balance between the traditional methods of storytelling through the text and also the more modern special effects in the post production stage. Because of this, I will try to implement a natural blend of the special effects and the raw performance of the drama academy. This will help to emphasize the performance of the cast while remaining subtle to make the whole film easier for the audience to watch and understand. 

Monday, 21 October 2013

Information on companies involved


The Royal Shakespeare Company and London Connected Learning Center work together alongside 5 secondary and primary schools in Lambeth on various projects. All the students involved have an opportunity to work with practitioners from the RSC and LCLC to gain a deeper understanding of the plays. 




The Royal Shakespeare Company is a registered charity based in Stratford upon Avon that helps teachers and students learn about Shakespeare through the use of its programmes and live shows. It helps connect writers, actors and artists to produce plays based upon Shakespeare’s own work as well as new work from living writers. The Royal Shakespeare Company will be working alongside the drama academy to assist them in their development of acting, working on key aspects of their performance to enhance their abilities as actors and also prepare them for acting in front of a camera. Also, enhancing their understanding of texts such as the work of Shakespeare which will also further develop their performance during the piece. 



The London Connected Learning Center (LCLC), part of the Education Trust, is an organisation committed to helping schools and students harness the potential of new technologies. From better communication and more effective administration, to improved teaching and learning. We will be working alongside a professional film maker Sam Lawler who has produced multiple documentaries. He will be meeting with us throughout the project assisting our film making ability and teaching us the skills required to produce the piece. Some of the skills we will be learning to use are using boom microphones to record audio on the day of filming, and also assisting us with some camera techniques such as focus pulls. He will also aid us in developing our concepts for the piece and putting forward ideas of how we could produce them, and then putting these ideas forward to the drama academy for discussion so that we can make a compromise for what we want to do within the project. 


J.P Morgan has a net worth of 41.5 billion, he was an American financier, banker, philanthropist and art collector who dominated corporate finance and industrial consolidation during his time. The role of J.P Morgan was financially supporting the project, providing a budget to each of the groups allowing them to purchase props and costumes, they also provided free tickets to view the play of Titus Andronicus at the Royal Shakespeare Company theater and payed for the workshop sessions provided to both us and the drama academy by members of the RSC and LCLC.



Thursday, 3 October 2013

Negotiating a Brief

Negotiating a Brief

Example of a Brief


There are many comissions available for many different careers, within Art there are multiple comissions available ranging from designs, advertising and illustration. One brief I found online stated.

Transported is seeking an artist or designer to create a series of up to 10 artworks that will be reproduced in vinyl wraps on articulated lorry trailers. These designs will be inspired by the people, the landscape or the ‘place’ of Boston Borough and South Holland and will travel around Lincolnshire, The UK and Europe.

The brief is a comission which can be completed by an individual or smaller company, the brief states that 10 designs need to be produced. The dimensions of the lorry's are provided and additional information such as what must be included e.g. the trailers identity number and the company logos must also be taken into consideration for the designs. The themes of the designs must represent the culture, landscape or community of the area and must be of a high quality and standard.

Once the artist(s) have been selected for the comission they must follow the guidelines however the brief is felxible to the extent that the artist is able to create what they feel like best fits the brief.

http://www.publicartonline.org.uk/downloads/news/Haulage-Carrier-Commission-Brief-2014.pdf